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The conference will be held at Central European University at 15 Nádor utca, Budapest 1051.
The Life Story of Cornelius Johnson’s Olympic Oak and Other Matters of Survival, 2017
Christian Kosmas Mayer (b. 1976) works variously with photography, video, sculpture, installation and performance. Known for his engagement with questions of memory, preservation and rediscovery, the artist's solo exhibitions were hosted at venues like Centrum Kultury Zamek, Poznan (2017, PL), Galerie Mezzanin, Geneva (2015, CH), Galerie Nagel Draxler, Berlin (2014, DE), Belvedere, Vienna (2013, A) and Kunststiftung Baden-Württemberg, Stuttgart (2012, DE). He has participated in numerous group exhibitions in international institutions, amongst them mumok, Vienna (2017, A), Leopoldmuseum, Vienna (2016, A), Kunstmuseum Bonn (2016, DE), Camera Austria, Graz (2015, A), MAK Center, Los Angeles (2014, US).
Feral Citizenship: Roving the Democratic Terrain
This workshop involves the examination of the intersection between democracy, desire and disruption. Participants will learn about the disruptive promise of feral citizenship and explore feral citizenship as a hopeful and pleasurable way of occupying and creating democratic terrain.
Feral in the City: Exploring the Wild Edges and Valuing the Marginal in a Human-made Environment
You are invited on a magical journey of discovery and connection with some of the wild plants in the city of Budapest. What can we learn from their untamed nature, resilience and healing powers to inform our present and write a better story for our futures?
Claudiu Oprea is a Romanian born queer artist, linguist and permaculturist based in India and Europe. His work and artistic practice are informed by natural systems. The forest is his teacher. The scope of his work is reigniting the connection between humans with the magical kingdoms of plants and fungi with a view to heal and regenerate degraded human ecosystems. Claudiu's heart and current focus is in alternative education. He is running an experimental outdoor edible classroom project at Yogi Art School in Goa, India, where he created an interactive learning space with the kids as co-designers. The outdoor classroom is a safe space where soil, edible and medicinal plants are nurtured and grown with the stewardship of the kids and the forest as the mentor. For more information on his work please visit www.claudeoprea.com
Saturday 12 May
Artist and trader Kate Rich has been playing with the nature of the feral in business over 15 years, primarily through the Feral Trade project, an artist-run grocery business trading coffee and other goods over social networks and outside commercial systems (http://feraltrade.org). She will report on her findings and invite a conversation into how we might extend the notion of the feral into how we do business more broadly.
Kate Rich is a trade artist and feral economist, born in Australia and living in Bristol UK. She is co-founder of the Bureau of Inverse Technology (BIT), an international agency producing an array of critical information products including economic and ecologic indices, event-triggered webcam networks and animal operated emergency broadcast devices. The Bureau's work has been exhibited in academic, scientific and museum contexts. Since 2003 she has run Feral Trade, a long-range economic experiment and underground freight network, utilising the spare carrying capacity of the art world for the transportation of other goods, specifically groceries. Kate is senior lecturer in DIY and activist media at the University of the West of England; volunteer finance manager at Bristol's artist-run Cube Microplex; system administrator for the Irational.org art-server collective; and a founding member of the European Sail Cargo Alliance. Her ongoing preoccupation is to move deeper into the infrastructure of trade, administration, organisation and economy in the cultural realm. To this end she is currently establishing a Feral MBA for artists, positioned somewhere between the academy and the wild.
Dr Clara Dawson is Lecturer in Victorian Literature at the University of Manchester. My research focuses on poetry of the long nineteenth century, poetic form, and more recently, environmental humanities. I was a Visiting Fellow at the IAS of CEU in autumn 2017, working on a project called A History of Poetic Birds and Lyric Song.
Petra Bakos Jarrett is a Ph.D. Candidate in Comparative Gender Studies at CEU. Her research interests include critical border studies, environmental feminism, feminist theories of corporeality, gender relations in South East Europe (SEE), and SEE literature and arts (late-20th century and current). Petra's doctoral project traces the interactions of SEE borderlands bodies and their environments via works of fiction, focusing on environmental pollution and social injustice embedded in a global grid of inequalities.